The summer studio offers address art professionals – artists, designers, curators, art teachers, art managers, art venue executives, art scholars etc.Available studio flats:1. a four-room 102m2 studio apartment in the artist district (Exarchia) – 10 minutes to the very heart of Athens. More information >>> here.2. a two-room studio (52m2) in Kypseli neighborhood, central Athens, 3 minutes walk to bus and trolley station, and 20 minutes bus ride to Syntagma Square. More information >>> here.3. a 75m2 studio flat in Kolonos, located close to Oedipus Hill and the Academy of Plato. Ten minutes bus ride or 25 minutes walk to the very center of Athens. The studio includes the use of a 200m2 terrace. More information >>> here.

For artists, there is often that one dream project—your creative magnum opus—that has remained elusive, trapped within the confines of the artistic career.

This old house was built in a time when Japan was not rich yet, the inside structure is simple and minimal. It may be inconvenient for you, but you will be able to feel something like Zen by being in this simple and minimal space, this simple lifestyle. And you will become to feel comfortable after you got used to it, and discover the pure beauty in these, and be able to have new inspirations. Such the experience is just one example, but it would be pleasure if you can experience the real Japanese traditional life which is being lost little by little now even in Kyoto and feel something from them.We welcome people who can enjoy the experience of a different culture lifestyle.This program availability has one room for residency, however the working room has a condition for a kind of the room and there are impossible days for using too. It’s available room is the gallery room of 2nd floor image 1 (https://tsukimisou88.tumblr.com/facilities) for your working. However, this room has a toilet room and that toilet is share for the studio whole, so other artist may enter sometimes when you are working. However, it’s possible to divide by partition (the working room and a passage to the toilet) if it’s ok even lessen the floor space for your working a little. Also, as for December, it’s impossible to use the studio house for your working between 1st to 7th, because it has planed to hold an exhibition by local artists. (It’s my recommend artist) Also, we have a planed to hold an exhibition in final and 3rd weekend on October of 4 days, so you can’t use this room. Also, it may leave the works (photographies) on the wall on final week of weekdays.The Okazaki area where our facilities are located is a cultural and artistic zone that represents Kyoto. With the Okazaki Park facing the hydrophobic moat as the core, the Kyoto National Museum of Art, Kyoto City Museum of Art, Kyoto City Museum of Art Annex, Hosomi Museum of Art, Kansai Art Academy (kanbi.org), Kyoto city Theater (Rohm theater), Prefectural Library, Industrial Hall (Traditional Industry Museum), Kanze Hall (Noh), Zoo, Shrine and Buddhist temples and many scenic spots will be lined up to help a wide variety of arts and creative activities of you, and will be helped to change your thinking (mind).It’s possible for monthly of July 2023 only in this open call.

LINA is a European platform: a network of 32 institutions working at the intersection of architecture and other fields related to spatial culture. LINA works to promote emerging thinkers and practitioners. Its goal is to steer design and building processes towards regenerative practices and principles of de-growth.

African Crossroads is a Pan African network that is inspired to collaborate to engage seasonally, critically reflecting and acting together on emerging issues across the continent. African Crossroads aims to tap into Africa’s vast potential and thrives on collective intelligence, cooperative action, and experimentation to positively shape the future of African societies.

Atelier de la Rose was founded in 1991 by artist/lecturer, Ed Herring, and art historian/lecturer, Sally Gaucheron. Sally continues to run the organisation after the untimely death of Ed.The centre is situated in the heart of a medieval hilltop village in S.W. France (in the Lot or Quercy).  The personal and flexible service provided means that artists and writers can have the supportive environment they need in which to pursue their creative projects. The option of Sally’s home cooking means you have more time for your work.Residencies are self-financed and are more like a retreat. There is no pressure for visual artists to produce an exhibition at the end of their stay. Atelier de la Rose is small, which allows us to adapt to your requirements.  There are no fixed dates or lengths of stay.  A residency can be as short as one week or as long as one and a half months.  You choose when you want to come and for how long, subject to availability and some date restrictions.There is just one facility, the studio, which is exclusively yours during your stay.From 1 – 6 weeks

This is an open call for 8 multidisciplinary artists with lived experience of forced migration, exile, or displacement based anywhere in the world who are interested in taking part in the virtual exhibition ‘Belonging’ as part of the project Artists Connecting in Transition (ACT). ACT is funded by the British Council International Collaboration Fund.

Each year the Aerowaves network selects 20 of the most promising emerging choreographers in Europe. Aerowaves promotes their work for a year, creating opportunities to perform with their partners. Choreographers apply to the programme with a short, finished work. 

BIRCA BALTIC SEA is for 6 performing artists placed around the Baltic Sea (Sweden, Finland, Estonia, Latvia, Lithuania) with a joint residency of 2 weeks taking place 25/9-8/10. The residency seeks to expand your current practice with a focus on the health of the planet. We seek to create new solo, shared and collaborative performance works, with a focus on exchange and collaboration.The residencies will focus on some of these questions: What does ecological art mean? What methods are being developed in this new field? How does the new performing art engage in dialogue with the “audience” and society? From an artistic research perspective the participants will co-creatively address local climate issues in the Nordic and Baltic countries as well as the global crisis. They will – likewise in co-creation – develop ideas and themes that can lead to future collaborations between participants to create joint artistic manifestations, soft resistance and visions for future co-existence around the Baltic Sea. All performance art should be created with a limited negative impact on the world’s nature and with care for all species and life forms on the planet.The residency is part of BIRCAs platform: Laboratory for the new ecological performing arts, which is supported by the Danish Arts Foundation. Experiences and considerations from the residency will be included in discussions about the ecological performing arts in RØST/REPA (Reflection room for the Ecological Performing Arts), which we are organizing in collaboration with organizers, artists and researchers in Denmark.By embracing BIRCA’s natural surroundings, we want to create a vision for an ecological future that allows connectedness, generosity and sharing. As part of the research, we also work with the understanding of gender as something that can be non-binary and non-conforming and as such we welcome queer artists. We also welcome indigenous artist. The residency therefore addresses the dynamic connection between the ecological systems of the environment, the social and the mental. This also means we welcome parents that take kids and caretakers along on the residency. A public work-in-progress showing is created for the local audience in the end of the residency, even though there is no requirement of finished works.BIRCA BALTIC SEA is taking place on Bornholm/Denmark and is led by Susanne Danig/BIRCA in collaboration with Danish choreographer and climate activist Linh Le – they will select participants and plan the residency. Linh will also present a workshop at the residency. The residency is supported by the Nordic-Baltic Mobility Programme for Culture funding for residential visits, and there will be a second round taking place in May 24.

Traditional knitting and Natural Dyeing The Residency program on traditional crafts at Aqtushetii is a 10-day program that will be led by the local Tushetian specialist and ethnographer, Nanuli Azikuri. The participants of the workshop will get introduced to the history of Tushetian wool and learn the specific knitting tools and methods of the craft, such as wool processing, knitting, and dyeing. The workshop will also entail fieldwork and finding raw material which will be later used for dyeing. The translation will be provided by workshop facilitators: Ana Gvelesiani and Tamara Kalkhitashvili.Schedule14.07 Arrival in Omalo15.07 Introduction. Lecture: “Georgian Tsinda – Ethnographic Review”, preparing and distributing materials and tools.

Tokyo Festival Farm Asian Performing Arts Camp is a programme for performing arts practitioners working in various parts of Asia. Using their own personal themes and concerns as starting points, the participants conduct research and fieldwork, hold discussions with people from different countries and cultures, and participate in lectures and workshops. Through this process, the Camp aims to help artists cultivate thoughts and ideas together, and to explore future possibilities for their own practices and fields. 

Urban Festival UIT announces an open call for installations for the 2023 festival, themed ‘Urban Pause’. The open call is mostly aimed at city-loving students of art and architecture, but everyone interested in experimenting with installations in public space is welcome to participate.